Contemporary English Drama

Index

General Information

Estimated learning time

Recommendations

Competences / Learning outcomes

Learning objectives

Teaching blocks

Teaching methods and general organization

Official assessment of learning outcomes

Reading and study resources

General Information

Course unit nameContemporary English Drama
Course unit code362735
Academic year2024/2025
CoordinatorClara Escoda Agusti
DepartmentDepartment of Modern Languages, Modern Literature and English Studies
Credits6
Single programNo definit

Estimated learning time

Total number of hours : 150 Hours
ActivitiesType of trainingHoursObservations
Face-to-face and/or online activities46
- Lecture with practical component Face-to-face 46
Supervised project50
Independent learning54

Recommendations

— This subject is taught entirely in English. This is also the language used in the exercises, tests and examinations.

— This is an optional course for students of the Bachelor’s Degree in Modern Languages and Literatures. An advanced level of English is required.

— This is one of the three courses on theatre that are taught in the Bachelor’s Degree in English Studies.

— Students are expected to revise their English language production.

— Any form of plagiarism for assessed activities will be penalized.

Competences / Learning outcomes to be gained during study

  • Commitment to ethical practice (critical and self-critical capabilities/capacity to demonstrate attitudes consistent with accepted notions of ethical practice).
  • Capacity for learning and responsibility (capacity for analysis and synthesis, to adopt global perspectives and to apply the knowledge acquired/capacity to take decisions and adapt to new situations).
  • Ability to work in a team (capacity to collaborate with others and contribute to a common project/capacity to work in cross-disciplinary and multicultural teams).
  • Creative and entrepreneurial skills (capacity to conceive, design and manage projects/capacity to research and integrate new knowledge and approaches).
  • Ability to work individually or as part of a team.
  • Rhetorical skills (in mother tongue and English) for effective communication and argumentation with the academic community and the general public.
  • Ability to use bibliographical resources and ICTs as learning and communication tools.
  • Capacity to work actively and successfully in an academic environment in which English is the primary language.
  • Knowledge of English-speaking writers from different eras and cultural backgrounds.
  • Knowledge of Anglophone literary criticism and intellectual paradigms.

Learning objectives

Referring to knowledge

— Achieve a broad and in-depth familiarity with post-Second World War British theatre.

— Acquire the necessary tools and skills to analyse plays from different critical perspectives and describe the relationship between the context in which they are written and the plays themselves.

Referring to abilities, skills

— Capacity to write argumentative texts in English in a fitting academic style.

— Capacity to express complex ideas correctly in this subject area.

— Improve research and organizational skills in independent study.

Referring to attitudes, values and norms

— Respect reasonably argued and well-founded viewpoints.

— Incorporate the gender perspective in the contents of the course.

Learning objectives

Referring to knowledge

— Achieve a broad and in-depth familiarity with post-Second World War British theatre.

— Acquire the necessary tools and skills to analyse plays from different critical perspectives and describe the relationship between the context in which they are written and the plays themselves.

Referring to abilities, skills

— Capacity to write argumentative texts in English in a fitting academic style.

— Capacity to express complex ideas correctly in this subject area.

— Improve research and organizational skills in independent study.

Referring to attitudes, values and norms

— Respect reasonably argued and well-founded viewpoints.

— Incorporate the gender perspective in the contents of the course.

Teaching blocks

  • 1 Critical and theoretical paradigms: absurd, radical and postdramatic theatre

  • 2 British drama during the second half of the twentieth century

  • 3 An analysis of four important plays staged between the end of World War Two and the 1990s

Teaching methods and general organization

The general methodology combines theoretical and practical learning, through lectures and practical applied activities which may include guided debates, group work, oral presentations, written assignments and research tasks.

Official assessment of learning outcomes

Continuous assessment

Students are evaluated using continuous assessment.

— Class work: four different class activities that will take place throughout the semester: 20% of the final mark; including linguistic accuracy.

— Two written examinations, 50& of the final mark each; linguistic accuracy will be taken into account.

To pass the course, the students need to have submitted the two written examinations. The lecturer will also take into consideration the standard of students’ spelling, vocabulary and grammar in any task subject to assessment.

Examination-based assessment

Students who cannot follow the continuous assessment procedure may request single assessment provided they do so by the deadline established in the Faculty’s exam calendar.

The one-off assessment consists of two written examinations, 50% of the final mark each. Details on the nature of these written tasks will be established in the course programme.

Repeat assessment

In the re-evaluation test, which will take place on the date assigned by the Faculty, students who have opted for continuous assessment will have the opportunity to retake, at the teacher’s discretion, the exams, tests, or other assessment activities that they have not passed in the previous sitting.  

Reading and study resources

Book

Aragay, Mireia; Hildegard Klein; Enric Monforte and Pilar Zozaya, eds. 2007: British Theatre of the Nineties: Interviews with Directors, Playwrights, Critics and Academics. Basingstoke and New York: Palgrave Macmillan.

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Book

Aston, Elaine and George Savona 1991: Theatre as Sign-System: A Semiotics of Text and Performance. London and New York: Routledge.

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Book

Megson, Chris. ed. 2012: Modern British Playwriting: The 1970s. Voices, Documents, New Interpretations. London: Methuen.

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Milling, Jane. ed. 2012: Modern British Playwriting: The 1980s. Voices, Documents, New Interpretations. London: Methuen.

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Nicholson, Steve. ed. 2012: Modern British Playwriting: The 1960s. Voices, Documents, New Interpretations. London: Methuen.

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Pattie, David. ed. 2012: Modern British Playwriting: The 1950s. Voices, Documents, New Interpretations. London: Methuen.

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Book

Sierz, Aleks 2001: In-Yer-Face Theatre: British Drama Today. London: Faber and Faber.

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Sierz, Aleks. ed. 2012: Modern British Playwriting: The 1990s. Voices, Documents, New Interpretations. London: Methuen.

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