Closure

Mireia Feliu Fabra

LINES, 2004
7' 38"
From the phrase: “I'm still looking for the perfect point of view from which everything is a unity”, different characters face the camera lens, as if it were a mirror/window to the world, and the camera's focus ring, the tool for finding the perfect vantage point to look at. The lines (as opposed to the perfect point of view) finally denounce the loss of this sought-after unit.
www.mireiafeliu.cat

José Luis Bravo

Sol-bcn, 2006
sol-bcn is an experimental photography project that uses built cameras that combine the use of large format camera lenses and flatbed camera scanners as capture systems.

Hernani Dias

www.metabolicvisualizer.org, 2008
Web presentation
metabolicvisualizer is an interface for the representation of a dynamic metabolic map where the elements that compose it can be manipulated: altering their concentrations, the speed of chemical reactions, or the reversal of cycles. In this way, the subliminal behaviors in the organization and the effects of changes in the system can be observed as a whole.

Diego Paonessa

Autographs in series, 2006
3' 44''
Autographs in series evidence the automatism and repetition of actions in the procedure carried out during production.
www.silo.es/diegopaonessa

Tamara Kuselman

Ten in a Line, 2009
2' 41''
A group of people stand without speaking or moving in an empty space, while a narrator tells stories about them and their supposed relationships.
www.tamaraisworking.blogspot.com

Thatiane Mendes y Bruno Duque

First aid - virtual care objects, 2009
3'00''
"First aid" consists of a work that, in the form of video art, presents places in the city of Barcelona, ​​where people walking down the street are invited, through false advertising, to interact with the objects of care.

Daniel Jacoby

the-colours.net, 2009
web page
Through a web form, each visitor can choose, from a range of reds, yellows and blues, which one they consider to be red, yellow and blue. The votes are classified by country and averaged to determine how the colors are seen in the different parts of the world. Obviously, screen calibration, ambient light color, and a host of other factors make it impossible to come up with a valid answer, leaving the question of "what's red (yellow and blue)?" unresolved

Casey Reas

Merce, 2009
software
The Mercè software is an interpretation of a movement made by Merce Cunningham visualized in the form of Loop, a dance "solo" choreographed by himself in 1971. The motion capture sessions took place in August 2000, for by Paul Kaiser, Shelley Eshkar and Marc Downie..
Merce is a reflection on the aesthetics of Cunningham's choreography, the qualities of his scenography, costumes. The result is visually minimal, with the intention of focusing the viewer's attention on the movement and relationships between the elements. The two primary visual shapes in the piece (left and right) move according to data captured by a hand.
www.reas.com