Program

PROJECTS AND ROUTE

ETC / Bordered Up Spaces 2
Urban tour with five artistic projects
Date and time: 26th November 10.30 to 14.00h
Meeting point: Fonts de Montjuïc (Barcelona)
Prior booking necessary: SUBSCRIBTION FORM 

The five projects presented on the tour are: "Clouds on the cloud" by Marc Anglès and Runze Feng, "Walking the Danse Macabre" by Paolo Gruni and Margarita Certeza Garcia, "Leeway" by Natalia Morales and Miriam Hamel, "Project H" by Laia Moretó Alvarado and Gabriel Gómez, "Waterscapes" by Mercedes Pimiento and Martin Dagois.

« H Project » (Helios Gómez) by Laia Moretó Alvarado and Gabriel Gómez, is an ephemeral installation with red windmills which form the letter H (for Helios Gómez) in a space in Montjuic. The modular element refers to the object represented in the painting of the Model Prison chapel, painted by Helios Gómez, currently hidden, because it was covered in white paint, and is pending restoration.
Complementary to this activity is a presentation by Gabriel Gómez, son of Helios Gómez, aiming to spread information on themes such as the life and work of his father, Barcelona’s social and urban policies, changes in the area of Montjuïc, or the contribution of Romani culture in art. This presentation combines recorded audio and an in-person talk.
The action aims to point out the current lack of visibility of a major work by Helios Gómez, to refloat an historical treasure to be reclaimed for the city, to promote active listening to the Romani artistic voice, to demand the recovery of this cultural heritage, and to display a family genealogy of people who have been unjustly imprisoned.

«WATERSCAPES. Transmedia walks around restricted sites» by Mercedes Pimiento and Martin Dagois, starts from an investigation into hydraulic infrastructures and their presence in various world cities, based upon both artists’ interest in the political and urban rôles of these constructions, essential for the city as well as for the lives of citizens, but which are usually hidden or restricted from everyday life. Together, they decided to examine the Canal de la Infanta, an irrigation canal in L'Hospitalet de Llobregat (Barcelona), and the Ménilmontant water reservoir in Paris; to find connections between the two places, discussing concepts such as visibility/invisibility, their respective urban and political rôles, and how they tend to be presented and represented.
After researching the two structures, for the second phase of the project, they propose to produce a number of field notebooks based on two 'walks', half digital and half physical, through the area of ​​the Parisian reservoir, and across the remains of the canal in its passage through Montjuïc and the Zona Franca of Barcelona.

«Walking the Danse Macabre» by Paolo Gruni and Margarita Certeza García. The idea of the Danse Macabre has long permeated popular culture. Rituals in which an embodied ‘Death’ dances with the living have been documented for centuries in literature, painting, music and film. Fundamentally a form of memento mori, this reminder of mortality is an acknowledgement of the fragility and transience of nature. The eponymous composition by Saint-Saëns in 1874 was originally based on the poem Égalité, Fraternité by Henri Cazalis, where he noted that death has its own pace and cadence.
From this notion, we are in the process of refining an artistic methodology that interrogates historical spaces where colonial oppression and occupation have led to human and more-than-human suffering and death; via a walking performative format. Can we connect the present to the past despite colonial and racial traumas - how did this leave scars and traces on the lands we are living in? What does this process evoke about history, both in our countries of origin and our countries of residence, and how can we use this dual vision to connect with each other and the public? How can we respond to the site of the Montjuïc, with its layers of oppressions and the entwining of colonial identities and multiple sites of repressions and imprisonment?

«Leeway » by Miriam Hamel and Natalia Morales is a transnational laboratory for a ludic appropriation of public space. Today's cities are high density complex systems, subjected to tensions at various levels. Due to the increasing complexity of cities, it is necessary to rethink the shared living space, and to ask to what extent it is necessary to reinvent strategies for its development. 'Leeway' aims to experiment with sustainable forms of collaboratively reinterpreting urban space in real-time. Both artists explore ideas for an experimental appropriation and reinterpretation of community-orientated space. Their objective is to make urban transformation imaginable,  using a social practice of involuntary play, creating new spaces which outline alternative visions of the future. Thus, 'Leeway' is understood as a game which, based upon simple geometric shapes, allows an infinite variety of formats that stimulate social interaction and ludic activity in (public) space, liberating memories and new associations. With an orientation towards location, dialogue and process, the game, as a counter-model to the capitalist logic of producing space, has the potential to open up experiential spaces which interrupt everyday life, and expand the horizon of established expectations

«Clouds on the cloud» by Marc Anglès and Runze Feng aims to use the flag as a symbol to examine our relationship as users of the digital cloud; the generic name for services that store images, viral videos and working documents uploaded to the web. Using a photographic archive of clouds, the two artists create patterns for printing a series of flags which will play with the impossibility of pinning down this meteorological phenomenon, in constant motion, while also flirting with the ambiguity of the technological metaphor. The location, and the act of raising the flag, will form two essential elements, allowing the artwork to be activated or completed outwith our control, as happened in many spaces during the Covid-19 pandemic, and which formed the basis of reflection upon which the ETC project was founded. However, this time, it will be the wind, another meteorological phenomenon related to clouds, which has the power to unfurl the flag, and to grant us access to this virtual space which is often considered intangible.