12/17
What mainly defines structure and flow in a transfer process? How do the devices, the agencies and the characteristics of the environment in which they occur are articulated? And above all, how do we mean and materialize those relationships, and how would we like them to be reshaped on an ethical, economic, and political horizon of responsibility?
Organized by the research team of IN> TRA Project, "Prototypes and plasticity. Methodologies and processes of transfer around the subject ", is a day that takes artistic practices as a basis to tackle a critical reflection on the epistemological, ethical and political dimensions that underlie any transfer phenomenon (information, emotion, matter, energy). , etc). Specifically, the relationships between the human-no and the non-human will be observed; the material and the immaterial; agencies and technical tools; etc., bringing the perspective of a series of artistic practices together with the theory proposed by neo-materialist cultural analyzes.
Key words: matter, 3D printing, art-science-technology, transfer processes, epistemology, methodology Project: IN> TRA. Collaborative artistic practice as a model of experience: New forms and prototypes in research processes (HAR2015-63952-C3-1-P, MINECO / FEDER)
Director: Alícia Vela (IN> TRA project coordinator)
Organizing team: Esther Moñivas, Beatriz Regueira Pons, Alejandra López Gabrielidis. Design: Eugènia Agustí.
Participants: Esther Moñivas (IN> TRA, Antonio de Nebrija University), Tere Badia (HANGAR), Printed matter (IN> TRA, Fine Arts, UB), Roman Kirschner (Artist / Researcher), Darko Fritz (Artist), Beatriz Regueira Pons (IN> TRA, Fine Arts, UB) and Ariadna Guiteras (Artist). With the collaboration of Caterina Almirall, curator of the Strata exhibition.