Sessions

• Bresson, L'Argent

  • Kent Jones, L'Argent (1999)
  • Tony Pipolo, Robert Bresson: A Passion for Film, ch. 9 (2010)

  15 September 2023

  17:00, Online

• von Trier, Breaking the Waves

  • Caroline Bainbridge, "Making Waves: Trauma and Ethics in the Work of Lars von Trier", Journal for Cultural Research 8, No. 3 (2004), 353-369
  • Stig Björkman (ed.), Trier on von Trier (2003), Faber & Faber, London

  27 October 2023

  17:00, Online

• Palmason, Godland

  17 November 2023

  17:00, Online

• Alfredson, Let the Right One In

  • Anne Billson, Let the Right One In (2011), Auteur, Leighton Buzzard

  15 December 2023

  17:00, Online

• Herzog, Nosferatu: Phantom der Nacht

  • Judith Mayne, "Herzog, Murnau, and the vampire", in The Films of Werner Herzog, T. Corrigan (ed.), Routledge, London (1986), 119-130.
  • Mead Bryan, "Remaking Horror to Avoid Repeating History: Werner Herzog and ‘Nosferatu’", Sinestesieonline XII, n. 40 (2023), 1-15.

  26 January 2024

  17:00, online

• Pasolini, Salò

  • A. Robert Lauer, "A Revaluation of Pasolini's Salò", CLCWeb: Comparative Literature and Culture 4.1 (2002) <https://doi.org/10.7771/1481-4374.1141>
  • Thomas E. Peterson, "The Allegory of Repression from Teorema to Salò", Italica 73.2 (1996), 215-232

  01 March 2024

  17:00, Online

• Glazer, The Zone of Interest

  • Mathew Kieran, "Forbidden Knowledge", in S. Gardner and J. L. Bermúdez (eds.), Art and Morality, Routledge, London (2003), 56–73.
  • Anne Eaton, “Robust Immoralism”, Journal of Aesthetics and Art Criticism 70 (3) (2012), 281-292.

  05 April 2024

  17:00, Online

• Ceylan, Once upon A Time in Anatolia

  • Ebru Thwaites Diken, "Transnational Indistinctions", in G. Dönmez-Colin (ed.), ReFocus: The Films of Nuri Bilge Ceylan, Edinburgh University Press, Edinburgh (2023), 103–118.
  • B. Diken, G. Gilloch & C. Hammond, The Cinema of Nuri Bilge Ceylan, I. B. Tauris, London (2018), 101–116.

  17 May 2024

  17:00, Online

• Antonioni, Blow-Up

  • Robin Wood, "Blow-Up", in I. Cameron & R. Wood, Antonioni, Praeger, New York (1971), 125-140.
  • Roy Huss, Focus on “Blow-Up”, Prentice-Hall, Englewood Cliffs, N.J. (1971).
  • Richard Wendorf, "Antonioni's Blow-Up: Implicated Artists and Unintentional Art", The Journal of Aesthetic Education 16 (1) (1982), 57-67.

  05 July 2024

  17:00, Online